In "Paper drop (light, b)," Tillmans creates a mise en abyme, as the photographs’ subject is photographic paper itself. The paper’s quality is here enhanced by the use of light, most likely Plexiglas ...
In 2000, Wolfgang Tillmans became increasingly interested in the chemical foundation of the photographic medium and the possibilities it offers. In paper drop (Oranienplatz, b), Tillmans creates a ...
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